2018  –  25/05  –  20/06

at Gallerie QF

Via Carducci 9 – 14 -29  – 37129 Verona  –  Italy.

Vernissage, 25/05 from 7.00 pm.

    

Identity

The collective CAPTA presents IDENTITY:
a project focused on photojournalism, articulated through a photographic exhibition accompanied by a vernissage and a workshop to be held at the end of the photographic exhibition. The selection covers the most important reportages made in recent years by the members of CAPTA, around the theme of IDENTITY. The exhibition includes work that is illustrative of both medium and long-term projects and focuses on some of the highlights of recent history with the aim of recovering the sense of photojournalism: to investigate and analyze contemporary society. Only a planned and reasoned vision can effectively achieve this goal. The collaboration of photographers and journalists guarantees the production of high-quality reporting. Created through a unifying concept and inspired by a harmonious vision of visual storytelling, the team seeks to address the complexities of world culture, history and society. A media world increasingly obsessed with the speed of disclosure is no longer able to preserve the quality of stories and messages. CAPTA’s modus operandi is to document our world in depth and tell forgotten stories. In particular, the exhibition presents a selection of images with themes related to identity from across contemporary societies. The common denominator is the ability of these pictures to make the viewer re ect on contemporary realities both near and far, often ones that appear unfamiliar or not susceptible to easy comprehension.

Gallery QF1:  INDEPENDENCE ON THE SKIN by Erik Messori

Gallery QF2: FORGOTTEN ITALIANS by Alessandro Vincenzi
SEX TRAFFICKING IN EUROPE by Mashid Mohadjerin

Gallery QF3: LIVES IN LIMBO:TRAPPED IN BELGRADE by Francesco Pistilli Galleria QF3


 

Ph. Mashid  Mohadjerin

 

 

2018  –  17/05

at Museum of Modern Art

Leuvenstraat 32, 2000 Antwerp – Belgium

Vernissage, 17/05 from 7.30 pm.

 

Memories of a revolution, a performance

Poetry reading by Maryam Najd, kamanche by Mostafa Taleb, santoor and music by Shahriar Sharifpour. Performances from two spaces. Put together by: Mashid Mohadjerin. For her latest photographic work she for the first time traveled back to her country of birth, Iran, in search of childhood memories. In the LODGERS space, she is showing a selection of images that she describes as a visual rediscovering of her country. Government representations of resistance, war and revolution are mixed with images of a new generation of women in public space, including a portrait of herself carrying flowers to her grandmothers grave. Photographic work in the space by Geert Goiris and Vijai Patchineelam Exhibition coordination by Nico Dockx Project supported by ARIA, KASKA, MUHKA

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2018  –  03/03  –  16/03

at ISOLAB

Isolab Spiazzi – Castello – 3865 Venezia  –  Italy.

Vernissage, 03/03 from 6.30 pm.

Identity

The collective CAPTA presents IDENTITY:
a project focused on photojournalism, articulated through a photographic exhibition accompanied by a vernissage and a workshop to be held at the end of the photographic exhibition. The selection covers the most important reportages made in recent years by the members of CAPTA, around the theme of IDENTITY. The exhibition includes work that is illustrative of both medium and long-term projects and focuses on some of the highlights of recent history with the aim of recovering the sense of photojournalism: to investigate and analyze contemporary society. Only a planned and reasoned vision can effectively achieve this goal. The collaboration of photographers and journalists guarantees the production of high-quality reporting. Created through a unifying concept and inspired by a harmonious vision of visual storytelling, the team seeks to address the complexities of world culture, history and society. A media world increasingly obsessed with the speed of disclosure is no longer able to preserve the quality of stories and messages. CAPTA’s modus operandi is to document our world in depth and tell forgotten stories. In particular, the exhibition presents a selection of images with themes related to identity from across contemporary societies. The common denominator is the ability of these pictures to make the viewer re ect on contemporary realities both near and far, often ones that appear unfamiliar or not susceptible to easy comprehension.


2016 –  02/04  –  01/05

at PALAZZO dei PRINCIPI

Correggio – Reggio Emilia  –  Italy.

Opening Saturday, 02/04 from 5.30 pm.

Print size 1500×1000 mm

Chernobyl_Presente_E-2           Chernobyl_Presente_E-3           Chernobyl_Presente_E-4

Chernobyl Presente

The most terrible technological accident of human history knows: Chernobyl, once an unknown place in the rich land of the Ukraine. Now a single chilling word that still casts a dark shadow of death and contamination. Twenty years after the disaster that struck Europe, the tragedy continues. Many people live in villages close to the nuclear plant in conditions at the edge of human survival. The damage is still very much in evidence. Everywhere, in this area called THE ZONE, there is the burdensome heritage of disaster and everything still remain in total silence. The Chernobyl accident generated unknown victims by effects, it is impossible to know how many people dead for the consequences. The issue of long-term effects of Chernobyl disaster on civilians is controversial. Over 300,000 people were resettled because of the accident; millions lived and continue to live in the contaminated area. On the other hand, most of those affected received relatively low doses of radiation, there is little evidence of increased mortality – cancers or birth defects among them – and, when such evidence is present, existence of a causal link to radioactive contamination is uncertain.


2016 –  04/02  –  23/04

at RBG BARN Gallery

43B Rosemary StreetBelfast BT1 1QB – Northern Ireland

Opening Thursday, 04/02 from 6-9pm.

Print size 594×420 mm

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Independence on the Skin

Occupation, nationalism, and struggles with identity plague our world’s history. In Ireland in particular, hundreds of years of British rule – which is argued to be the longest war of occupation in the world – has produced generation after generation of independent-minded Irish who have fought for their national identity. Their names are related to infamous organisations, such as the IRA and other pro-independence organizations. Even if there is a treaty of truce, these women and men remain in the fight to achieve their dream of independence.

Their tattoos tell the painstaking story of their lives, fallen friends, past actions. Their bodies bear indelible writings of an ideal and the human price paid to conquer it. Every drop of ink under their skin carries the memory of ancestors and comrades who died in this invisible war. Much has been written about them, especially in the seventies and eighties, during a series of attacks that seemed to never end, and in the collective conscience they are considered to be terrorists and subversive, but little – or almost nothing – is really known about them. This photographic account is an insight into their world, and it serves as a proof of adamant willingness to not give up, but to continue to fight for an Ireland that they will be able to cal their own.


2015 –  05/12 – 12/12

at SIEM REAP Gallery  –  Cambodia

as selected work for the Angkor Photo.

Angkor Log

Weird Animals

When it comes to creativity and recycling, besides being useful, it is also always fascinating and interesting. Maybe this is the reason why I share the phrase “Once, old and broken things were not being throw away, but were repaired.” Before being thrown away and replaced by something new, these pieces that are considered recyclable were once owned by people who gave them use and a life. Unfortunately, it is now a common behaviour among all of us to replace things with something new. However, some people are doing everything possible to try and recover the damage that has been done, and is still being done, to our planet.

L’Animalada is an example of creativity and positive thinking. This is a series of animals created by Sandra Sarda Cabero, which combines three different worlds – waste reduction, recycling of materials, and retrieving objects. Driven by the passion for the game, and the reaction when it is introduced into the public space, the need to create and look for aesthetic correspondence between the recovered and/or found objects and animals.

The result has several interpretations, but the most satisfying and poetic is how Sandra’s work gives these objects a new life. They return to the life cycle; metaphorically, as the first level and most genuine, and also to the natural world, from where everything, toxic or not, is returned. Weird Animals has the ambition to talk about the importance of recycling by addressing the issue in an unusual way.


2015 – 06/06 – 31/07 

at Can Basté – Barcelona

as a selected work for DocField international documentary photo festival in Barcelona.
Print Size 150×100 cm

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Weird Animals

When it comes to creativity and recycling it is always fascinating and interesting, besides being useful. Maybe this is the reason why I share the phrase “Once, old and broken things were not being throw away, but were repaired. Before being thrown and replaced by something new, those pieces that are considered recyclable have been owned by people who have given use and life. Unfortunately the replacing with something new is a common behavior among all of us, but some people are doing everything possible to try to recover the damage that has been done and it is still done at our planet. L’Animalada is an example of this, an example of creativity and an example of healthy thinking. This is a series of animals by Sandra Sarda Cabero, which combines three different worlds. Waste reduction, recycling of materials and retrieving objects. The passion for the game and what happens when this is introduced into the public space. The need to create and look for aesthetic correspondences between the recovered and / or found object and animals. The result has several interpretations but the most satisfying with a point of poetry is that trough the work of Sandra is given to those objects a new life. It is the returning to the life cycle, metaphorically, the first level and most genuine; the natural world, from where everything, toxic or not, is returned. Taking in consideration the depths sense of L’Animalada, Weird Animals has the ambition to talk about the importance of recycling by addressing the issue in a rather unusual way. Put this animals in their natural place, suggests what it could be the future of our planet. The idea of being surrounded by recycled animals of course scares everyone, even if the images do not transmit and do not pretend to have nothing awful, but the opposite. Rather surreal, dreamlike.

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